Marco Fusinato, who plans to recreate Goya’s Disasters of War series in sound with a discordant electric guitar performance all day, every day, in the Australian pavilion, also features along with Melanie Bonajo (the Netherlands), an artist, filmmaker, and feminist, whose startling work featuring nudes in close proximity can be seen as a response to the hands-off restrictions we’ve been living with.
Her Biennale exhibit—When the Body says Yes—will be on display at the Chiesetta della Misericordia, a deconsecrated 13th-century church (the Netherlands has given its pavilion over to Estonia this year).
